Frightened Rabbit is back on the scene. Their upcoming album, The Winter of Mixed Drinks, won’t be out until March 1st, but you can listen to a few new songs on Frightened Rabbit’s MySpace page.  Here’s a little taste of the band performing a single off the album. It’s called “Swim Until You Can’t See Land.”


photo from www.grammy.com

The 52nd annual Grammy Awards took place tonight, and I bet you were there. Really. Because it looked like it was held in a stadium and everyone who wanted to go was allowed in. And if you didn’t actually have a seat, you were probably onstage. That was pretty much the theme of the night. The more back up singers/dancers/random people onstage, the better.  Unless, of course, you are Pink. She decided to go pretty much solo, but more on that later.

The performances covered all the elements, starting with Lady Gaga’s fire display in the show opener.  How she got Sir Elton John to agree to perform with soot smeared on his face (not to mention crazy sequined glasses) is beyond me.  Beyonce performed “If I Were a Boy” as military uniform-clad dancers surrounded her. In a nice twist, Beyonce broke into Alanis Morissette’s “You Oughta Know,” but it kind of made me want to hear Alanis sing. And I sort of felt like the Rihanna’s been doing the military thing lately. They all seem to overlap.  But for the most part, all of the performances tonight were overwhleming—there was too many people, and too much going on onstage to focus on anything or know who was singing.

But back to the elements, and specifically Air and Water.  Pink’s gravity-defying aerial performance was impressive, but out of place. For a minute I wondered if the show was actually taking place in Las Vegas.  In the end, she was dipped in water and spun around like a human sprinkler. I just hope the first 10 rows were given ponchos.

The Black Eyed Peas get an award for “Most Challenging Outfit for a Back-up Dancer.” I’m not even sure what they were dressed as. Robots? Speakers? A broken boom box? In any case, good job to all those dancers who had to move around wearing boxes attached to all four limbs. C’mon, Black Eyed Peas, what’s wrong with a leotard?

Green Day brought in the Earth by channeling a very famous street—Broadway. Apparently American Idiot is headed to a Broadway theater. Who knew? In a good promotional move, the entire cast of the theatrical production joined Green Day onstage for “21 Guns.”

So that’s all I’m going to say.  The Grammys were big, mainly because there was an average of 50 people onstage at all times, and a crowd of what looked like a million. But where do you go from there? I think that next year the producers should try a scaled down Grammys. You know, maybe at a high school auditorium, a few acoustic performances and of course the awards. Just a thought.


There is no shortage of fundraising events to support Haiti relief efforts. Everyone in NYC seems to be doing something to support the cause–including schools, restaurants, bars, and concert venues. So why did I end up at this particular benefit at Music Hall of Williamsburg Saturday night? Justin Vernon. I admit, it’s hard to pass up a performance by Mr. Skinny Love himself, and, hey, if the cost of my concert ticket ends up helping the people of Haiti, then even better. Apparently I was not alone in this thinking.

When we arrived around 9 p.m. (I know, I know, it started at 8, so we missed a few people, but you’ll excuse me when I tell you there were arepas involved). Anyway, I arrived to find the most jam-packed Music Hall of Williamsburg I’ve ever seen. So my only option was to hang out in the back as Britt Daniel of Spoon took to the stage. He only played a few songs, which were enjoyable but it got me concerned that all the sets were going to be too quick.

The night continued with comedy by Janeane Garofalo. She discussed her love of fat babies, survival tactics on the L train, the latest trends in teen-speak, and by the way have you seen her beaded jewelry? Between sets, comedians Leo Allen and Bobby Tisdale came out to kill some time. It was odd because I thought Zach Galifianakis was the host. Turns out he just made one (very loooong) appearance. He was quite funny as he paced back and forth, looking down under his baseball cap blurting out random funny lines. Then he invited Just Jess and her Just Boots onstage and it took a turn. He admitted he was out of material and kept asking how much time he had left. It was funny the first time, but then you just wanted to get back to the music.

The music lineup didn’t disappoint. St. Vincent played some covers, including The National’s “Mistaken for Strangers.” Justin Vernon brought his best friend and bedmate Brad Cook (of Megafaun) out for a few songs including Bon Iver’s “Flume.” I figured this would be a Skinny Love-free event, but I still found myself wanting to hear “Blood Bank.”

Next was the special guest, Shara Worden (of My Brightest Diamond), who came out and wowed the crowd, which she has a way of doing (see my Dark was the Night review). She played with her friend Colin Stetson and his oversized saxophone. And they played a song they had recorded earlier in the day for his upcoming album. Then Worden played a solo version of Prince’s “How Come U Don’t Call Me Anymore.”

And just when you thought the night was nearing an end (but kind of thought it was too early for them to call it a night, right?), Songer Singwriter debuted. This is the band formed on Saturday by Justin Vernon, Annie Clark (St. Vincent) and Brad Cook, and it’s a good example of the surprising bonus performances that you get at shows of this kind. The supergroup played Neil Young’s “Harvest Moon”, Tom Petty’s “A Face in the Crowd” and an all-out version of Dolly Parton’s “Jolene” that left a few of the musicians on the floor by the end. The evening ended after Justin Vernon broke out his Annie Lennox voice for the Songer Singwriter’s performance of “Why.”

In the end, the anything-goes environment, interesting covers and new collaborations made for a good night of comedy and music for a good cause.

ps—If you were holding out for the N.6th for Haiti benefit at MHOW, featuring The Roots, Kaki King, and Matisyahu, just an FYI that it’s been canceled due to scheduling problems.


Happy New Year! Before the year comes to a close I wanted to just mention a few of my favorite musical happenings from 2009.

Best 2009 Album Never Released: Pela’s Rise Ye Sunken Ships

I heard live versions of these songs and was eagerly awaiting this follow-up to Anytown Graffiti, but alas, the group broke up. So, recorded versions of “East Los Angeles”, “Rise”, “Juarez”, “Strange Days”, and “Augustine” are out there somewhere…if only they could make their way to my ears. Seriously, if you have them, send them along.

Best Group Reunion/Comeback: Boyz II Men

This was a surprise, to say the least. Apparently it was not the end of the road.

My prediction for musical reunion/comeback of 2010: Ok, so I wanted to say Kris Kross (the mack daddies of backwards clothing fame), but it turns out that they already reunited in 2007. So then it was Bell Biv DeVoe, but I found out they, too, have reunited, as did En Vogue, All-4-One…

Best Star Sighting at a Concert: Beyonce and Jay-Z and Co. at the Grizzly Bear show in Williamsburg in August. More pics here.

Notable Indie Rock Musicians Playing at Fancy Venues: M. Ward at the Apollo Theater, Band of Horses at Carnegie Hall, Clap Your Hands Say Yeah at Gilman Opera House at Brooklyn Academy of Music, Dark was the Night performers at Radio City Music Hall.

Best song that started as an SNL Joke song: “I Wish it was Christmas Today” featuring Strokes man Julian Casablancas.

Best Concert Line-Up: Dark was the Night at Radio City Music Hall. Really, how often do you get to see Bon Iver, Dirty Projectors, Feist, David Byrne, Sharon Jones and The Dap Kings, and The National all in one night?


David Byrne and Dirty Projectors

Best New Band: I’m going with Hockey.

Saddest Festival demise: Monolith Festival in Denver, CO. Read about the sad state of affairs here, and hey if you’ve got some extra millions maybe you can sponsor the festival this year.


Monolith Festival at Red Rocks main stage

Favorites songs of 2009:

“While you wait for the Others” by Grizzly Bear

“Slight Figure of Speech” by The Avett Brothers

“Too Fake” by Hockey.


The Brooklyn Museum currently has a photography exhibit called Who Shot Rock & Roll: A Photographic History, 1955 to the Present which features photographs of musicians and bands from the past fifty years. The exhibit is housed is in two large galleries on the fifth floor of the museum, but the experience actually begins as soon as you pay the museum admission fee and receive a neon pink concert wristband.

Ok, so there wasn’t actually a concert, but I have to say it was quite different to hear rock music playing in a museum. The music came from the three or four video screens scattered throughout the exhibit. The screens played video footage featuring Elvis Presley, U2, The Vines, Bjork, and David Bowie. Photographs were displayed on the wall in groups based on categories such as “Starting Out,” “Behind the Scenes,” “Performances,” “Fans and Crowds,” and “Portraits.” There were also small collections which focused on single performers, such as Elvis Presley, Bob Dylan, and Jimi Hendrix. Some of the other musicians featured in the exhibit include Patti Smith, The Doors, Pink Floyd, Madonna, The Beatles, The Rolling Stones, Grace Jones, Kurt Cobain, Oasis, and Bruce Springsteen.

The photos ranged from large multi-panel displays to small Polaroid snapshots. I enjoyed seeing the early shots of the musicians, before they made it big. Some of people who took these photos were just friends of the musicians, or sometimes just novice photographers who had no idea that the band would eventually be hugely successful. The photos seemed real and honest, and not so posed and part of a marketing ploy. Some of the images in the exhibit were eventually used as album cover art, and in those cases the actual album art is displayed near the photo. There is also a small section of the exhibit dedicated to a display of album covers from the past five decades.

The exhibit runs through January 31st at the Brooklyn Museum.


Check out this performance from The Avett Brothers on Late Night with Jimmy Fallon. The band plays “Slight Figure of Speech” off of You and I and Love.

ok, so the NBC video was removed from YouTube. But here’s the video for the song. The music starts around 3:05.

What did you expect
And what did you forget
That to live you let go of me with each step
It becomes a progression I won’t let regret manifest
To aggression
Are you to assess what I’ve been? What I am? Or become?
Did you stop to accept how pathetically dumb
It can be to
Attack those around ’cause you’re
True to color, a town, a time, or a place?
It’s not you, it’s not mine
And besides it is gone
And you never will find it again
But I don’t want to fight
I just ask let me be
I won’t give the chance to be my enemy
So go home
Think it through

For more about The Avett Brothers in concert, check out my review of their NYC show at Stuyvesant High School.

The Avett Brothers at Monolith Festival 2008


So this Subaru ad caught my attention because I heard a Basia Bulat’s voice on my TV. But when I looked up at the screen I saw my college roommate from freshman year!? So this may be my favorite commercial ever.

Here it is. And the song is “Before I Knew” from the album Oh, My Darling


newmoon

Today the soundtrack for the second Twilight movie, New Moon, hits stores, or computers as the case may be (it’s way up there in the online pre-sales at iTunes).
The soundtrack was put together by music supervisor Alexandra Patsavas, who is famous for the song selections on many films and TV shows such as The O.C., Grey’s Anatomy and Gossip Girl—basically all the shows that can put a band on the national radar.

In the tracklisting for New Moon, the list of bands reads like a Who’s Who in indie rock. The last time I saw something like this was the Dark was the Night compilation. You can listen to the songs at the New Moon MySpace page.

“Meet Me on the Equinox” (Death Cab for Cutie)
“Friends” (Band of Skulls)
“Hearing Damage” (Thom Yorke)
“Possibility” (Lykke Li)
“A White Demon Love Song” (The Killers)
“Satellite Heart” (Anya Marina)
“I Belong to You” [New Moon Remix] (Muse)
“Roslyn” (Bon Iver and St. Vincent)
“Done All Wrong” (Black Rebel Motorcycle Club)
“Monsters” (Hurricane Bells)
“The Violet Hour” (Sea Wolf)
“Shooting the Moon” (OK Go)
“Slow Life” (Grizzly Bear featuring Victoria Legrand of Beach House)
“No Sound But the Wind” (Editors)
“New Moon (The Meadow)” (Alexandre Desplat)

Learning about this soundtrack made me wonder about the music of the original Twilight movie. Patsavas was the music supervsisor on that film as well. So, had I missed something? As it turns out, not really. It’s a good collection of the bands–Muse, Paramore, Linkin Park, Collective Soul—more alternative rock, but not my favorites. But here’s the list of songs:

“Supermassive Black Hole” (Muse) – 3:31
“Decode” (Paramore) – 4:21
“Full Moon” (The Black Ghosts) – 3:50
“Leave Out All the Rest” (Linkin Park) – 3:19
“Spotlight” (Twilight Mix) (Mute Math) – 3:20
“Go All the Way (Into the Twilight)” (Perry Farrell) – 3:27
“Tremble for My Beloved” (Collective Soul) – 3:53
“I Caught Myself” (Paramore) – 3:55
“Eyes on Fire” (Blue Foundation) – 5:01
“Never Think” (Robert Pattinson) – 4:30
“Flightless Bird, American Mouth” (Iron & Wine) – 4:02
“Bella’s Lullaby” (Carter Burwell) – 2:20


seawolftix

Last night I checked out Sea Wolf at Mercury Lounge. The band is led by Alex Brown Church, from Los Angeles, and the rest of the band is made up of musicians from Portland, OR and L.A. Most notably, the band includes a cellist, Joyce Lee, to add a little something different to their songs. The group’s second full-length album White Water, White Bloom was released in September. I wasn’t familiar with the songs, but I liked their sound. Church has a good voice and good hair, both very critical to a successful indie rock band. For some reason he reminded me of Matt Berninger of The National. I don’t know why though, and I kept thinking Church was going to break into “Mr. November”.

Before Sea Wolf’s set, Port O’Brien took the stage (after a mini dance jam in the back of crowd). Port O’Brien is a San Francisco based band led by Van Pierszalowski, who named the band after a bay on Kodiak Island where his parents met. As usual, Port O’Brien played an enthusiastic set and ended with their signature pots-and-pan-banging “I Woke Up Today”. In a clever move, the band whipped out the Mad Libs between songs, gathering adverbs and adjectives from the crowd. This helped both to erase awkward pauses/banter/crowd heckling/jokes and preserve Pierszalowski’s voice for its primary purpose of singing. Good move.

Here’s Pierszalowski reading the Mad Libs masterpiece:
port

If you didn’t get a ticket to the sold out Mercury Lounge show, you can still catch both bands at Union Hall in Brooklyn on Friday night.


So Long Pela

23Sep09

Small

There will now be a big hole in my concert calendar. I feel fortunate to have seen these guys perform so many times, and I’ll definitely miss their shows. Here’s the scoop, in their words from 9/18/09:

It is with great sadness that we write you today. Pela’s collective journey has come to an end.

Over the past 2 years we’ve faced tremendous obstacles. We recorded an album twice, had a falling out/legal battle with our old label, fired 2 managers, had a big record deal fall through, and Billy had a hand injury followed by a foot injury.

We’ve worked tirelessly to get our music out of ourselves and into your ears. We worked endlessly to make the music and our live show the best we could. At the end of the day we had to start dealing with some realizations.

We will never be able to thank you enough for your support. For those of you that drove and flew hours just to see a show, we thank you. For those of you who wrote us and gave us the opportunity to get to know you, we thank you. For those of you who told us to keep soldiering on, we thank you. Words can’t really describe how we’re feeling about this difficult decision, but we want you to know that it’s the healthiest decision we could make.

Your lovely faces are etched into our memories. Looking at the Crowd Project videos says it all.

Please keep in touch, we’ll promise to do the same.

xoxo- Nate, Billy, Tom, and Eric

Check out some Pela concert footage.